研究目的
To perform virtual relighting of stained glass artwork by acquiring the actual light transport properties of a given artifact using novel methods built upon image based priors.
研究成果
The paper presents a practical workflow for digitizing stained glass, that can be readily utilized in large scale acquisitions. Based on methods presented in this paper, it will be possible to create a virtual tour of architectural monuments like cathedrals and museums. Visitors of such virtual museums will have the ability to choose the time of the day, the season and the meteorological conditions under which they wish to view the digitized artwork.
研究不足
The paper does not explicitly mention the limitations of the research.
1:Experimental Design and Method Selection:
The methodology involves building a material-dependent dictionary for light transport by studying the scattering properties of glass samples in a laboratory setup. The dictionary is used to recover a light transport matrix under controlled and uncontrolled illuminations.
2:Sample Selection and Data Sources:
Stained glass artifacts, including the Rose Window of the Cathedral of Lausanne, are digitized using the presented methods.
3:List of Experimental Equipment and Materials:
The paper mentions the use of a laboratory setup for studying the scattering properties of glass samples but does not specify the equipment or materials used.
4:Experimental Procedures and Operational Workflow:
The workflow involves acquiring image pairs of incident illumination and stained glass appearance, modelling stained glass using light transport matrices obtained by solving a linear inverse problem, and exploiting the known approximate geometry of stained glass to obtain a compact representation for light transport.
5:Data Analysis Methods:
The light transport matrix is recovered using a sparse recovery algorithm that preserves volume impurities to ensure a heterogeneous light transport.
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